This blog will follow an independent study of detailing and materials through the design and construction of a theater space microstructure. The study will be conducted by Owen Weinstein and Sebastian Beck, collaborating with playwright Sam Lahne, advised by Vincent Sansalone.
Monday, January 21, 2013
Wednesday, January 16, 2013
Project Outline: Microstructure
One area of our education that we feel we have not explored to its
potential is the beauty, craft and design of architectural details. We
wish to acquire not just an understanding of “standard”
details/joints/connections, but an understating of the building logic that
underpins those details, and to develop a detail based way of thinking. Although, we understand that there is a
precedent for this type of design with in the field of architecture, we believe
that by executing this practical design build based project we will develop a
working knowledge of detailing. We
want to design and build a small structure.
We will work with one other student on this honors experience /
independent study. By working in a
small team we will greatly expand the potential for the project in terms of
scale and quality.
We will build a small performance space, designed in collaboration with
a playwright, in which the details relate to the structure as a whole and also
reinforce the themes of the play.
The project is based
around the idea of developing new ideas based on experiential research (through
practical carpentry exercises) and an extensive continuous literature
review. The research problem is a
direct response to a perceived gap in our education. It comes from a understanding, developed during my time on
co-op, that a lack of understanding of good architectural detail results in
problems at all levels of the building project.
My goal is to be able to develop my own details to meet situational
needs that will be elegant with their simplicity and creativity.
I would continue to develop my craftsmanship, specifically in wood
construction. I would learn not just the mechanics of detailing but also their
underlying logic to allow me to create appropriate details for non-standard
conditions. By building the details I was drawing I would gain a deeper
understanding and appreciation for the difficulties of construction and how to design
so that the building can be made in a cleaner, more efficient, and practical
way.
Project Outline: Theater Collaboration
Architecture and theater have a surprising amount of
commonality when explored on a theoretical level. Ideas of narrative,
experience, and sense of place, both emotional and physical, are central to
both. Both can act as symbols of their time and place.
To explore these commonalities, we will work directly with a playwright to design a space for a play, while he writes a play for a space. Rather than one responding to a finished product from the other, the two processes, designing and writing, will take place simultaneously. A continuous exchange of ideas and information will allow us to develop a product that is unique in its complete holistic exploration of concepts common to both theater and architecture.
The play will explore the ideas of intimacy,
comfort, and the line between public and private. The first and most obvious hurdle from a
design standpoint is how to tempt someone into such a space, and then from the
plays perspective, how to hold them there until the concepts are fully explored
by the space and the play. Learning how to tackle these challenges on a small
scale will better prepare us to deal with similar issues in later work.
Their exists an intellectual challenge of direct collaboration in which neither party is the “client” or “boss.” How the lines of responsibility and control are drawn will be a fascinating experience and the documentation of this could potentially be a worthwhile experience in its own right.
The
independent study will be based on conducting design research through a cross
disciplinary dialogue. In the discussion and collaboration with a playwright,
standards or customary methods of our known design experience will change.
Approaching the design process through methods of a constant exchange of built
and theoretical discussions and questions, it is hoped that a unique process of
design will produce a unique result.
The
development, realization, and documentation of the microstructure theater space
and corresponding play will provide a set of tangible results as physical
objects, lending themselves to a critique and commentary on our process of
discovery and comprehension. Taking part in a process that requires
collaboration, discussion, review, and guidance, the project will constantly
cause us to reflect on decisions made, and with tangible results at hand,
rethink actions and thoughts.
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